Iowa thunderstorm season always puts me in the mood for catching up on my horror reading. Call it Pavlovian conditioning from all the years watching mad scientists in castle laboratories working during a thunderstorm. So pawing through my bookshelf, it occurred to me that there’s one horror genre not born of literature, but film.
Zombies, to wit. Vampires, werewolves, mummies, serial killers, ghosts, Jekyll and Hyde, and Cthulhu, they all came from the pages of literature first, then got adapted to film second under the loving guidance of Universal, Hammer, Amicus, and company. But zombies formed on the silver screen, and they took a few decades to catch on there. And only then did they start showing up in literature in the same form.
Sure, technically speaking, the first zombie movie, 1932’s White Zombie, was based on William Seabrook’s 1929 novel The Magic Island. But these were early prototypes, still steeped in voodoo medicine (inaccurate, by the way). What we mean when we say “zombie” now is owed to George Romero, full stop, and then the genre had to drift into literature.
So, here’s a great reading list of zombie apocalypse novels over at Suggested Reads. Oh, yes, they’re all very modern. Quite a few of those have seen their own film adaptation, circulus vitae, including Patient Zero and The Girl With All The Gifts.
But this subject got me to wondering: What is it about zombie apocalypses that make them such a self-contained stock scenario? Their popularity stems from what TVTropes calls the “Cozy Catastrophe.” The apocalypse always just so happens to leave a few lucky middle-class folk who, in between fighting off the brain-hungry hordes, is having a smashing time having the world to loot to themselves.
No more boring office job for me! I’m going Mad-Maxing!
Continue reading “Bad Assumptions Everyone Makes About A Zombie Apocalypse”
